Incidentally, I think this post sums up why I don't read scanlations... having to scroll up and down and all around the page instead of being able to take it all in as one visual whole damn near destroys my appreciation of the work. At blown up size, my eye turns that that panel of Ultimate Platonic Warrior striding into the sunset across a path of blazing bones into just a bunch of unconnected design elements instead of a unified image. It's like sitting in the front row at IMAX.
It loses a lot in the Viz version to begin with - not because of anything they're doing, but they simply aren't set up to produce anything as ludicrously wanky as the Japanese edition, printed on the finest paper mankind can produce and hand assembled by virgins that consume only pudding.
These are the 4 issues of the fanzine we produced a while back (2002-2004). They're rough, but they're also the foundation for a lot of what we've built since then, including this site.
Click on the issues to bring up the full reader.
Issue 1 focused on Berserk, Jin-roh, and Asian live-action movies. It also had a memorable review of Gundress.
Issue 2 was a dissection of FLCL (it explains it all, really) and the work of Taiyo Matsumoto.
Issue 3 tackled Yoshitoshi ABe's traditional Japanese aesthetics, explained Evangelion and looked at the explosion of Korean movies.
Issue 4 was all about horror, laying out what made new wave Japanese horror so unique.
Incidentally, I think this post sums up why I don't read scanlations... having to scroll up and down and all around the page instead of being able to take it all in as one visual whole damn near destroys my appreciation of the work. At blown up size, my eye turns that that panel of Ultimate Platonic Warrior striding into the sunset across a path of blazing bones into just a bunch of unconnected design elements instead of a unified image. It's like sitting in the front row at IMAX.
ReplyDeleteIt loses a lot in the Viz version to begin with - not because of anything they're doing, but they simply aren't set up to produce anything as ludicrously wanky as the Japanese edition, printed on the finest paper mankind can produce and hand assembled by virgins that consume only pudding.
ReplyDeleteYou can get around the problem with some display settings - I've found a few full-screen readers (hell, Apple's QuickLook does a pretty job itself).
ReplyDeleteWith a laptop, you can even turn it sideways to read like a book.
Not really elegant, though, which is why I could never keep up with scanlations.
Man, I have this Kodansha English-language printing of Ghost in the Shell that damn near gave me a papergasm first time I touched it.
ReplyDelete