The New Yorker talks about cel phone novels.
Elsewhere, one of the Toastyfrog/Gamespite crew posts about an Ico novel.
Sunday, January 11, 2009
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where we talk about awesome shit and you reply with some intelligent and witty comments
“The Japanese have long been attracted to these turgid narratives,” he said. “It’s not a question of literature being above it. It’s just—it’s Pynchon versus Tarantino. Most people have a fair understanding of the difference.”
ReplyDeleteNot you, apparently - fucking which is which in this analogy? Tarantino not really known for turgid weepy romances, so I assume the cell phone novels are Pynchon?